Four months before succumbing to his death, Hugh Masekela moved like a man determined to make his next meaningful contribution to music and our heritage in general.
Read moreLooking at Mary Sibande’s Crescendo of Ecstasy
Mary Sibande’s new body of work investigates modes of liberating sculpture from its fate as a static form into a fluid, dynamic, and immersive experience.
Read moreThe divine message of Good News From Africa
Pianist Abdullah Ibrahim and the great bassist and composer Johnny Dyani got together in 1973 to create a marvellous South African jazz record- Good News From Africa.
Read moreThe Ongoing Musical Moment in South African Art
Our art history has been subject to an ongoing moment; a perennial communion of artists with their eyes trained on the marvel and metaphor of musicians in performance. Their work captures the ongoing moment as a motif marshalled across time and media, form and feeling.
Read moreArt after the Sharpeville Massacre
The Sharpeville massacre unleashed a generation of artists driven to express their moral outrage; it was more than a turning point in the story of South Africa’s fight for freedom.
Read moreArt and the Myanmar Protest Movement
There is a flowering of creative activism blooming on the protest-charged streets of Myanmar. Alongside burning barricades and army raids, a new generation of artists is creating new ways for art to serve the pro-democracy protest movement.
Read moreWayfinding, Portia Zvavahera in Johannesburg
Zvavahera is presenting a new collection of paintings under the title ‘Wayfinding’. Her paintings may be understood as a reference to religion’s propensity to offer paths of escape and to painting’s own capacity for catharsis.
Read moreWhich Way is East? Mongezi Ncaphayi
Ncaphayi’s new paintings present us with boundless energy that points to crafting a cartography towards the profound and the sublime in an age of trivial joys and the politics of popular bruising.
Read moreAlphabets of Fire
Lefifi Tladi’s vast body of work cuts across painting in the abstract expressionist tradition, figurative drawings and forays into calligraphic modernism – ink-on-paper forms that he calls Alphabets of Fire.
Read moreJazz dancing and pantsula perfection
The gifted dancer as soloist improviser is a feature of black vernacular culture beyond the jazz session, though. The working women and men’s bodies as a site of gestured text come alive during protest as toyi-toyi, too.
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